Robin
Sibucao
When
I was 11 years old, I used to sneak into the Clearwater WLCY Star
Spectacular shows and watch all the great Tampa and St. Petersburg
musicians. Most of the time, our local bands sounded better and
had better players than the stars headlining the shows. Although
my mom and dad had already given me a little acoustic guitar,
these shows pointed me towards an electric guitar and, more importantly,
to be part of a band. That opportunity came just a few months
later when I passed an audition to join the Tampa band, The Paragons.
It was a time when we used to all plug into one small amplifier
(guitars, bass, accordion and microphones) and sit behind music
stands reading charts and wearing matching blazers and continental
ties. Our six piece band played most of the Tampa Recreation Centers
(Seminole Heights, Interbay, Gary, Forest Hills) and school dances
and, for most of us, was our intro-duction into what it was like
to being a band member. We played everything from show tunes to
standards mixed in with Top 40 of the day.
After the Beatles grabbed all of our hearts,
I broke off to form my own band, The Jesters IV, with the drummer
from The Paragons, Lou Facenda, along with his brother, Tony and
various rhythm guitarists. Local NBC affiliate, WFLA-Channel 8,
used to host a weekly
teen dance show, High-Time (Jack Stir and Carol Kelly), that featured
a different local high school, or junior high school, every Saturday
afternoon. The Jesters IV got a lot of air time on that local
TV show and that helped us book more dates around the Tampa Bay
area. As the Band changed music directions and members we played
places like the Surfers Club in Maderia Beach, The Jokers Club
in St. Petersburg and almost all the Recreation Centers around
Tampa. Around 1966 Benjie Cesario, bassist, joined me and we added
Pete Rumore on drums and Mike Robinson on rhythm guitar. This
version of the now Jesters found a steady gig at Brandon Teen
Town where our band alternated with a popular band, The Savages,
every other Saturday night to, what in those days, were big turn
outs.
The popular WALT-Radio AM disc jockey and local
personality, Marv Ray, would spin records and MC in between our
sets at Brandon Teen Town. We struck up a friendship and
began to do other dates around Tampa together. At the same time,
the Jesters had recorded a 45 record (Fuller Productions) that
became pretty popular. The song "She Lied" was actually
voted by listeners postcard response as the favorite local
single on WALT Radio a few times. Our band thought that was pretty
neat! (Jesters songs are part of a compilation CD available on
Gear Fab Records)
To this day, I still get emails and letters
from people around the country that ask about the Jesters. They
are always interested in how kids, that were so young, managed
to get into the whole "Band Thing" and play dates consistently,
rehearse, pick certain tunes or, what it was like to perform on
a local TV show with your band, that in those days, was considered
terrific if you were a teenager.
By this time, the band was letting me sing
almost all the tunes and play lead guitar on Stones, Beatles,
Zombies, Yardbirds, Searchers, etc. songs. But our band knew we
were primarily a dance band so we were also playing a lot of Young
Rascals mixed in with some Motown hits to keep people on the dance
floor.
Once
I got to High School my voice and music direction changed. I started
to lean towards Paul Butterfield, Electric Flag, Hendrix, Cream
and more R & B type songs. Along with Cesario, we formed a
new three piece band, The Toy Shoppe, with Drummer Doug Wingate,
that played dates like King Solomons Mine, High School dances
and USF parties. About this time I was beginning to hang around
with more serious musicians that influenced my musical direction
and helped me think about music more seriously than what was popular
and on the radio.
Rodney Justo was the first "real singer"
that completely changed my attitude about being in a band. Rodneys
voice was that terrific. Justo had "the pipes" and credibility
to get me listening to everything from Burt Bacharach arrangements
to Gene Pitney to the Small
Faces and Blood Sweat and Tears. To this day there is no better
singer for me than Rodney Justo. I give him a lot of credit for
opening me up to the world of music and not just hanging on to
AM radio hits. During my days at King High School I experimented
with horn bands, Southern Comfort being one, and jammed a lot
with all kinds of players at the local musician hangout in those
days, Johnny Baios Music Store on Armenia in Tampa. In 1968
I traded in all my guitar amplifiers and guitars and settled for
a Fender Super Reverb amp and Gibson ES-335 guitar. I still have
that ES-335 and always will. About this time is when I really
began concentrating on my singing.
When I graduated from King High in 1970, I
immediately headed to Los Angeles with a band that played pri-marily
High School Assembly Programs and Evening Concerts, Free Fare.
The intent was to sign a recording label deal. The band created
a strong regional following throughout southern California and
played to young audiences of 2000-4000 nightly throughout the
region. When no record deal came along the band members went sep-arate
ways. I stayed in Hollywood and started a band called Shuffle
with
|
Robin
with Shuffle, LA 1973
|
drummer Thom Mooney, formally of Nazz, vocalist
Rick Fitts and bass guitarist Terry Casburn. The band moved away
from cover tunes and started performing orig-inal tunes that were
guitar based and Pop oriented. Recordings were done with another
label deal "just around the corner". Musical wizard,
Michael OMartian (Steely Dan, Vince Gill. Etc) actually
recorded with us on a song and helped our engineer, Jim Lowe (Electric
Prunes) on our demo cuts. After touring for another 18 months,
no record deal in sight, I was ready to head back to Tampa.
I returned home to Tampa in the early 70s
and got married. I went back to school, took
on a full time job at Cutros Music, in downtown Tampa, and
joined up with keyboardist-David White, Drummer-Mark Keur, Percussionist-Anthony
Barcello and Bass guitarist-Terry Bollea (yes, the Hulk Hogan
today). We named our band Koko and played at Skips on Maderia
Beach as well as the Courtroom in Clearwater as we went to school
or worked during the day. The band did mostly YES, Santana, Todd
Rundgren and actually a lot of R & B tunes as well. Koko found
a lot of success playing in Gainesville and around Florida. I
had to eventually leave the band. Between school, a full time
job and a marriage I ran out of energy and I really didnt
enjoy playing nightclubs anyway.
For the next few years I worked in local music
stores and played on weekends with a four piece band, Toulouse.
Benjie Cesario (Jesters) and I reunited after many years along
with Mark Kutash-Keyboards/Sax and Don Orr on drums. Eventually
Bill Peterson joined as our drummer after Don Orr left for college.
Toulouse worked one-nighter dates around Florida for almost five
years playing weddings, fraternity parties and local events. At
the same time, I was working for the loudspeaker company BOSE
Corporation and traveling internationally throughout the week
and then would return home to play with Toulouse on Friday and
Saturday nights. Eventually Toulouse morphed into Benjie Cesario
and me working as a duo and we renamed ourselves, Digital Radio
(because we began using keyboard sequencers to play along with).
In 1996 I was promoted at BOSE and was required to relocate to
the Boston area. I remained with BOSE until 1999 when I moved
to Seattle and became COO of PlayNetwork, Inc., a creative entertainment
company that supplies custom music and high performance sound
systems for customers like Starbucks Coffee, Chilis restaurants,
Abercrombie and Fitch, Finishline, Krispy Kreme, CHICOs,
etc. PlayNetwork works very closely with all five major record
labels and hundreds of independent labels.
When
I moved to Seattle I recruited saxo-phonist / keyboardist - Lance
Abair (Entertainers band) and Drummer-Craig Carman (Loose Change
band) to also work with me at PlayNetwork. The three of us make
sure we make time to set up our equipment and play our instruments
whenever we can. During the last twenty years, I have managed
to raise my adorable triplet daughters that now live in Hollywood,
CA. They are working on their own record deal and going by the
name of Sistem3. Check them out
.they are fabulous! So no
matter where I move, or what I do, music and Tampa seem to remain
a constant in my life. One thing is for sure. No matter what city
I end up in, I am proud to have been brought up around the music
and spirit of old Tampa. Plus, no place else has Cuban sandwiches
and deviled crabs to munch on after a gig!
|